Cherry in Twelfth night

春の桜は日本だけのものだと

これもある種の独占欲か

それでも桜はきれいだった

夜は楽しみにしていた蜷川幸雄のシェークスピア「十二夜」

歌舞伎

生き別れた双子に絡まりついたそれぞれの運命

ﾄﾞﾀﾊﾞﾀ劇

笑う

ここでも桜がきれいだった

双子を暗示した鏡の演出が印象的

音楽がとても心地よく

拍子木の音とピアノの音が耳に残る


主人公の双子の妹は恋い焦がれる左大臣に仕えるため性を偽り男を演じる

意中の人は真の姿を知らず、その隠さねばならない事実に苦悩する

いつだったか　自分を演者だと思っていた時期があった

父親の前　母親の前　兄に対する時　

小学校　中学校　高校　予備校　大学　アルバイト先での自分

うまいことやっていると思っていた　でもいつかその限界がくることもなんとなく知っていた

今はどうか　散り散りになったわたしはきちんとわたしのもとに帰還したか

まだ好きに演じさせてくれと　だだをこねる者あれば

いい加減疲れたという者もいる

ただ人も自分も変わらない　同じ地球上の演者

さあ演出家はどこだ？観客は？

最高の演技を見せてやろうじゃないか　



I've been thinking the spring cherry blossom exists only in japan.
It's kinda greed for monopoly, yet the cherry was beautiful.

I went to a play "Twelfth Night" by Yukio Ninagawa, original by William Shakespeare, at barbican theatre in this evening. It was a play of Kabuki and the story was about twins who have been separated for a while and having the ironic fate each other. Here the cherry was beautiful as well. Most impressive thing was the stage direction by using mirror implys their twins. Every sound was comfortable and remained in my mind especially the sounds of hyoshigi and piano.

The twin sister of heroine acts a man in order to serve under a master who she fell in love. And then she hurts because the man very special to her dosent know her true figure, she is a woman. Someday I used to think of me like a player. To father, to mother, to brother, my friends, teacher, etc... I was thinking I was doing well. At the same time I have known somehow there is something limit. What about now? Have sporadic I come back into me? Some of me say wanna still act freely, some say tired so give me a rest. However, I am the same as others. We are an actor on the earth.

Now where is a director? where are audiences?
Comon, Im gonna show the best ever performance!